Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Hyacinthe Rigaud
Portrait of Portrait of the artist, bust-length, with a yellow cravat and a blue cloak, feigned oval.

ID: 91883

Hyacinthe Rigaud Portrait of Portrait of the artist, bust-length, with a yellow cravat and a blue cloak, feigned oval.
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Hyacinthe Rigaud Portrait of Portrait of the artist, bust-length, with a yellow cravat and a blue cloak, feigned oval.


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Hyacinthe Rigaud

1659-1743 French Hyacinthe Rigaud Gallery He was born Jacint Rigau i Ros [1] -- though in many encyclopaedias is "re-christened" with the name of H??acint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau -- in Perpignan, which became French (Treaty of the Pyrenees) a short time after his birth (November 7, 1659). In 1682, he was awarded the Prix de Rome. He was the most important portrait painter in the reign of King Louis XIV. His instinct for impressive poses and grand presentations precisely suited the tastes of the royal personages, ambassadors, clerics, courtiers, and financiers who sat for him. Because Rigaud's paintings captured very exact likenesses along with the subject's costumes and background details, his paintings are considered precise records of contemporary fashions. Rigaud was a master of the Baroque style of art. Rigaud's best-known work is his 1701 painting of Louis XIV which today hangs in the Louvre in Paris, as well as the second copy also requested by Louis XIV which is now at Versailles. In 1709 he was made a noble by his hometown of Perpignan. In 1727 he was made a knight of the Order of Saint Michael. Hyacinthe Rigaud died in Paris, France on December 27, 1743.  Related Paintings of Hyacinthe Rigaud :. | Portrait of Charles de Saint-Albin, Archbishop of Cambrai | Portrait of Charles de Saint-Albin, Archbishop of Cambrai | Archbishop of Cambrai | Martin van den Bogaert, dit Desjardins | Portrait of Claude de Villars |
Related Artists:
Tiberio Titi
Italy (1573 -1627 ) - Painter
Carlo Crivelli
1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
Stefano da Verona
Stefano da Verona. Dating to 1434, it is currently housed in the Pinacoteca di Brera of Milan, northern Italy.






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